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Babette Mangolte is a French-American cinematographer and film director. ==Life and career== Mangolte was born and raised in France and moved to New York City in 1970. She attended L'Ecole Nationale de la Photographie et de la Cinematographie, graduating in 1966. Her move to New York was prompted by a disillusionment with the French film industry's male dominated climate, and an interest in experimental works by American filmmakers such as Jonas Mekas and Stan Brakhage. In the 1970s she began documenting the performance works of notable choreographers such as Trisha Brown, Lucinda Childs, David Gordon, and Yvonne Rainer. During this time, she also collaborated with director Chantal Akerman. Together they made several films, the most notable of which are ''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' (1975) and ''News from Home'' (1977).〔(【引用サイトリンク】url=http://visarts.ucsd.edu/faculty/babette-mangolte )〕 Mangolte shot her first feature, ''L'Automne'', in 1970, which was directed by Marcel Hanoun.〔 Mangolte credits Dziga Vertov’s ''Man with a Movie Camera'' (1929) as the film that made her decide to become a cinematographer.〔(【引用サイトリンク】url=https://www.frieze.com/issue/article/babette_mangolte/ )〕 She is known for her experimental film-making, which is influenced by the French New Wave and Structural Film. She has made many films of dancers and performance artists, along with several documentaries and narrative films. Her films include both short and feature length. Her most recent film is Seven Easy Pieces (2007), a documentary of the performance artist Marina Abramović.〔(【引用サイトリンク】first=Aimee )〕 She is a professor at University of California, San Diego. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Babette Mangolte」の詳細全文を読む スポンサード リンク
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